Background image of musical score

About XIV Chopin Competition Edition

Winners

1st Prize
Yundi LiChina
2nd Prize
Ingrid FliterArgentina
3rd Prize
Alexander KobrinRussian Federation
4th Prize
Sa ChenChina
5th Prize
Alberto NosèItaly
6th Prize
Mika SatoJapan
Sa ChenChina
Yundi LiChina

Jury

Sergio PerticaroliWłochy
Halina Czerny-StefańskaPolska
Eugen IndjicStany Zjednoczone
Józef StompelPolska
Germaine MounierFrancja
Ikuko EndoJaponia
Kazimierz GierżodPolska
Martha ArgerichArgentyna
Bernard RingeissenFrancja
Andrzej JasińskiPolska
Adam HarasiewiczPolska
Edward AuerStany Zjednoczone
Sequeira CostaPortugalia
Annerose SchmidtNiemcy
Victor MerzhanovRosja
Piotr PalecznyPolska
Lidia GrychtołównaPolska
Hiroko NakamuraJaponia
Regina SmendziankaPolska
Ivan KlánskýCzechy
Paul Badura-SkodaAustria
Arie VardiIzrael
Jan EkierPolska
Arnaldo CohenBrazylia

Information

During the 14th Chopin Competition, which fell at the turn of the millennium, many talented pianists from the Far East appeared on the concert platform of the Warsaw Philharmonic.

One could hardly say that the chronological watershed brought the anticipated artistic breakthrough to the Competition. Once again, there was no pianist who succeeded in interpreting the Polish idiom contained in the mazurkas or who captivated listeners with the brillant style of the concerto which he or she performed. The prize for the best performance of a polonaise went to two Chinese pianists: the winner of Fourth Prize, Sa Chen, and the overall winner, Yundi Li. The jury was inclined to withhold the First Prize yet again, but there were fears about possible accusations that the Competition’s standing had been lowered.

Once more, a second-time entrant gained success. The Argentinian pianist Ingrid Fliter, winner of Second Prize, had not even qualified for the third round five years earlier. The audience’s affections were won by the Romanian pianist Mihaela Ursuleasa. Her striking personality was also appreciated by the jury, which awarded her a distinction. The pianist’s sudden death, in 2012, cut short her blossoming career.

Plakat

The year 2000 brought back the motif of the pianist’s hands. Once again, the designer was Rosław Szaybo (for the third time!). The hands are expressive again, with their movement emphasized by light streaks. However, this time there is no keyboard visible; instead, the background features a sheet of music. The light streaks are in white and red, corresponding to the colors of the text.
Poster

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International Fryderyk Chopin Piano Competition

Edition 2025

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