NEWS

Requiem for piano solo on the anniversary of Fryderyk Chopin’s death

13/10/2025
Requiem for piano solo on the anniversary of Fryderyk Chopin’s death

Chopin died on October 17, 1849, and was buried less than two weeks later, on October 30, at the Père-Lachaise Cemetery. The funeral mass was celebrated at the La Madeleine Church in Paris, and its musical setting consisted primarily of Wolfgang Amadeus Mozart’s Requiem.

Our composer valued the works of the Salzburg genius, placing him above other composers (except for Bach, whose legacy was one of the elements that shaped Fryderyk’s artistic personality). According to some accounts, Chopin himself requested that Mozart’s Requiem be performed at his funeral – Hector Berlioz wrote about this in a beautiful obituary published in Le Journal des Débats: ‘Chopin’s constant admiration for Mozart led him to express, in his last moments, the wish that the immortal Requiem be performed at his funeral. His worthy pupil, Mr. Gutmann, took over this wish with his master’s last breath’.

Currently, the Requiem is performed on every anniversary of the Master’s death, October 17, at the Holy Cross Basilica in Warsaw (where his heart is located). This year, it will be performed in an arrangement for solo piano by Vadym Kholodenko, a Ukrainian pianist who has been associated with the Fryderyk Chopin Institute for many years, thanks in part to his regular performances at the annual Chopin and His Europe festival. Kholodenko will perform Requiem in arrangement by Karl Klindworth. The concert will start at 8:30 p.m., admission is free.

Competition NewsSee all
  • NEWS

    10/7/2025

    We know the names of the pianists who have qualified for second Stags

    The jury of the 19th International Fryderyk Chopin Piano Competition, chaired by Garrick Ohlsson, admitted the following 40 pianists to the second stage

  • NEWS

    10/6/2025

    How did Chopin play – vol. 2

    When we think about how Fryderyk Chopin himself played his works, it’s worth reaching for the testimonies left by his pupils, of whom he had many in Paris, and for the handful of notes he jotted down for his (never-completed) Piano Method.

Competition LogoChopin Competition

International Fryderyk Chopin Piano Competition

100th anniversary of the Chopin Competition

Ministry of Culture and National Heritage

Funded by the Ministry of Culture and National Heritage

Edition 2025

  • Home

  • Newsroom

  • Awards

  • Jury

  • Calendar

  • Tickets

  • Regulations

  • Accompanying Events

  • Compositions

Information

  • For Competitors

  • Press Office

  • About Competition

Multimedia

  • Videos

  • Photos

  • Audio

  • Chopin Courier

Organiser & partners

  • Institute

  • Partners

  • Privacy Policy

  • Contact